Live Room
Live Room
Our Live room has 22ft wooden ceilings, a wooden gallery, 2 x 2 Isolation booth by Esmondo. The ground covers roughly 100m2 measuring in 10.5m x 11.5m. The acoustics are superb with a RT60 Decay Time of around 1.5-2 seconds. Equipment includes our Hammond A100 Organ with Leslie 145 speaker, Wurlitzer, Yamaha U3 upright piano (1991) , a full size Chappell Grand Piano (1929), Daneman upright piano.We have recorded a small Chamber Orchestra in our live room- to give an idea of space available.
Gear List
Gear List
1991 Yamaha U3 upright piano
1929 6”4 Chappell Grand Piano
1987 Danemann Upright Piano
A-100 Hammond Organ
& Leslie 145
Dulcitone (c 1880’s)
Wurlitzer Piano
Vintage Harmonium by Robert Stather
(Finsbury Park, London)
Acoustic:
Epiphone EJ-200/N
Fender Tim Armstrong Hellcat 12 String
Washburn D10SCEB
Augie F28
Recording King Tricone Resonator RM-991-M
Takamine TAN10C
Martin LX1
Yamaha NTX1 nylon
Electric:
Gibson Memphis ES 339
Epiphone Les Paul Standard Pro
Gretsch Streamliner G2622T (Bigsby)
Shine Strat
Fender custom Telecaster
Hoffner 1968 Closed Hollow Body
Recording King Tricone Resonator
Fender Precision Bass MZ9468012
Vintage Kay P bass
Bass drum banjo – studio build
Roland VK7 Combo Organ
Yamaha DX7 FM synthesiser
(+ Packs – 101 (Keyboard, Plucked &
Tuned Percussion Group),
102 (Wind Instrument Group), 103
(Sustain Group), 106 (Synthesizer Group)
Roland JX-3P analogue synthesiser
Moog Satellite analogue synthesiser
Waldorf Pulse analogue monophonic synthesiser
Antonelli Vintage Electric Golden Organ
(Small Air Pump Organ)
Drums:
Sonor Phonic Vintage Drum kit 24×14, 14×10, 16×16 with 9 ply Beechwood shells
Maxwin Vintage Kit in faded red sparkle with 20’’ kick
Gretsch New Classic kit in Gold sparkle with 20” kick
Snares:
A selection from our collection…
Gretsch maple 14” x 5”
Pacific cx 10945 14” x 6” (vintage)
Ludwig Black Beauty 14” x 6.5”
Maxwin Vintage Kit in faded red sparkle with 20’’ kick
Gretsch New Classic kit in Gold sparkle with 20” kick
Piccolo 14” x 4”
Maxwin steel 14” x 6.5”
Various Percussion instruments – a huge trunk full.
Orange Rockerverb 100 III
Peavey 5150 mk1
Marshall Artiste JMP Model 2068 (1977)
4×12 Marshall Cabinet (1977)
Marshall Mercury 2060 (1972)
Marshall JTM60 valve
Vox AC30 (1965)
Vox AC30 (1977)
Fender Twin reverb Red Knob
Fender Bronco
25W Prince Piggy 2 PS-200R
Prince Piggy PS-30T
Gretsch Electromatic G5222
Ampeg SVT bass head & 4×12 cabs x 2.
Orange Micro terror & cab
Tubular Bell rack
2m x 2m Esmono Isolation Booth
Taytrix Stackit Gobo Systems
Audio Kinetics Gobos
Esmondo 2×2 Isolation Booth
Aviom A-16II Personal Ethernet Mixer system (x8 units)
Mission 770 Speakers with NAD 302 Amplier & Bluetooth
Audio-Technica AT-LP120XUSB Turntable
14kw Logburner & other lovely things for
making your stay a comfy one.
1991 Yamaha U3 upright piano
1929 6”4 Chappell Grand Piano
1987 Danemann Upright Piano
A-100 Hammond Organ
& Leslie 145
Dulcitone (c 1880’s)
Wurlitzer Piano
Vintage Harmonium by Robert Stather
(Finsbury Park, London)
Orange Rockerverb 100 III
Peavey 5150 mk1
Marshall Artiste JMP Model 2068 (1977)
4×12 Marshall Cabinet (1977)
Marshall Mercury 2060 (1972)
Marshall JTM60 valve
Vox AC30 (1965)
Vox AC30 (1977)
Fender Twin reverb Red Knob
Fender Bronco
25W Prince Piggy 2 PS-200R
Prince Piggy PS-30T
Gretsch Electromatic G5222
Ampeg SVT bass head & 4×12 cabs x 2.
Orange Micro terror & cab
Roland VK7 Combo Organ
Yamaha DX7 FM synthesiser
(+ Packs – 101 (Keyboard, Plucked &
Tuned Percussion Group),
102 (Wind Instrument Group), 103
(Sustain Group), 106 (Synthesizer Group)
Roland JX-3P analogue synthesiser
Moog Satellite analogue synthesiser
Waldorf Pulse analogue monophonic synthesiser
Antonelli Vintage Electric Golden Organ
(Small Air Pump Organ)
Acoustic:
Epiphone EJ-200/N
Fender Tim Armstrong Hellcat 12 string
Washburn D10SCEB
Augie F28
Recording King Tricone Resonator RM-991-M
Takamine TAN10C
Martin LX1
Yamaha NTX1 nylon
Electric:
Gibson Memphis ES 339
Epiphone Les Paul Standard Pro
Gretsch Streamliner G2622T (Bigsby)
Shine Strat
Fender custom Telecaster
Hoffner 1968 Closed Hollow Body
Recording King Tricone Resonator
Fender Precision Bass MZ9468012
Vintage Kay P bass
Bass drum banjo – studio build
Drums:
Sonor Phonic Vintage Drum kit 24×14, 14×10, 16×16 with 9 ply Beechwood shells
Maxwin Vintage Kit in faded red sparkle with 20’’ kick
Gretsch New Classic kit in Gold sparkle with 20” kick
Snares:
A selection from our collection…
Gretsch maple 14” x 5”
Pacific cx 10945 14” x 6” (vintage)
Ludwig Black Beauty 14” x 6.5”
Maxwin Vintage Kit in faded red sparkle with 20’’ kick
Gretsch New Classic kit in Gold sparkle with 20” kick
Piccolo 14” x 4”
Maxwin steel 14” x 6.5”
Various Percussion instruments – a huge trunk full.
Tubular Bell rack
2m x 2m Esmono Isolation Booth
Taytrix Stackit Gobo Systems
Audio Kinetics Gobos
Esmondo 2×2 Isolation Booth
Aviom A-16II Personal Ethernet Mixer system (x8 units)
Mission 770 Speakers with NAD 302 Amplier & Bluetooth
Audio-Technica AT-LP120XUSB Turntable
14kw Logburner & other lovely things for
making your stay a comfy one.
Control Room
Control Room
Our Control Room was purpose built as a ‘room within a Room’, featuring a floating floor isolated from the walls, sitting on and isolated with a neoprene insulation membrane. The wall cavities were treated with molybdenum doped sheets for limp mass absorption. Additional insulation from artificial and Lambs Wool insulation was also used in the construction of the room, which is based on a LEDE (Live End Dead End) design. We added GIK Acoustic Panels for walls and ceiling towards the front; 1D and 2D Quadratic Diffusers towards the rear. Monitoring – a choice of Quested VH208, Quested VS2205 (2008) and Yamaha NS10M. We can run 52 Inputs from the Live room to the Control Room. Monitoring/Dry Lines – 8 returns to the live room. Our Audient 4816 Desk has 16 Channels of Input. You can skip to our GEAR LIST for more info.
Control Room
Our Control Room was purpose built as a ‘room within a Room’, featuring a floating floor isolated from the walls, sitting on and isolated with a neoprene insulation membrane. The wall cavities were treated with molybdenum doped sheets for limp mass absorption. Additional insulation from artificial and Lambs Wool insulation was also used in the construction of the room, which is based on a LEDE (Live End Dead End) design. We added GIK Acoustic Panels for walls and ceiling towards the front; 1D and 2D Quadratic Diffusers towards the rear. Monitoring – a choice of Quested VH208, Quested VS2205 (2008) and Yamaha NS10M. We can run 52 Inputs from the Live room to the Control Room. Monitoring/Dry Lines – 8 returns to the live room. Our Audient 4816 Desk has 16 Channels of Input.
Gear List
Gear List
Neve 1073N
Groove Tubes VIPRE Variable Impedance Preamp
2x SSL Alpha Channels
2x AKAI vintage tube preamp channels
Empirical Labs EL8-X Distressor with British Mod BSS
DPR-402 dual channel compressor with De-Esser
Audient ASP 4816, 16 input analogue recording console
Solid State Logic MADI AX interface (up to 64 Channels)
RME MADIface USB (up to 128 channel)
RME Octamic XTC (8 Preamps)
Focusrite Clarett OctoPre (8 Preamps, 8 Outputs)
Quested VS2205 (2008)
Quested H208s
Yamaha NS10Ms
KRK 10S2
Large Diaphragm Condensers:
Vintage Neumann U47-FET
U87 Ai
AKG C414 B ULS x2
Neumann TLM103
Rode K2 valve microphone
M-Audio Sputnik valve microphones x2
Small Diaphragm Condensers:
4x Beyerdynamic MC-930
AKG C747 V11
Audio-Technica U851RbO
boundary microphones x2
Ribbon Microphones:
Coles Electroacoustics 4038 x2 (vintage)
Avantone CR14
Cadenza Rocket Ribbon (vintage)
Dynamic Microphones:
Sennheiser MD-421 (vintage)
AKG D12 x2 (vintage)
AKG D112
Electrovoice RE-20
Sennheiser e935
Shure SM57 x6
Shure SM58 x6
Beyerdynamic TG-X50
Beyerdynamic M818 x2
Philips Type EL6121
Sony F99S
Computers:
2020 iMac Pro
2010 Mac Pro
Cubase 10, 11, 12
Pro Tools 11 (Catalina allowing) – Ultimate installed if key provided.
Logic Pro available
Izotope Ozone 9 & 10 Advanced
RX 4-10 Restoration Suite (Catalina allowing)
Melodyne 4 & 5 (not Suite)
SpectraLayers Pro 8
Outboard:
*These are a selection of the plugins we have available, and far from an exhaustive list. Please contact us for specific requirements.
Waves V11, 12, 13 (& 14 for some):
Sound Production Bundle +
Channel Strips: SSL 4000 Collection, SSL EV2, REDD, EMI TG12345
Compressors: CLA, dbx 140, PIE
EQ: SSL, V Series, Scheps 73, REQ, Puigtec
Neve 1073N
Groove Tubes VIPRE Variable Impedance Preamp
2x SSL Alpha Channels
2x AKAI vintage tube preamp channels
Empirical Labs EL8-X Distressor with British Mod BSS
DPR-402 dual channel compressor with De-Esser
Audient ASP 4816, 16 input analogue recording console
Solid State Logic MADI AX interface (up to 64 Channels)
RME MADIface USB (up to 128 channel)
RME Octamic XTC (8 Preamps)
Focusrite Clarett OctoPre (8 Preamps, 8 Outputs)
Quested VS2205 (2008)
Quested H208s
Yamaha NS10Ms
KRK 10S2
Large Diaphragm Condensers:
Vintage Neumann U47-FET
U87 Ai
AKG C414 B ULS x2
Neumann TLM103
Rode K2 valve microphone
M-Audio Sputnik valve microphones x2
Small Diaphragm Condensers:
4x Beyerdynamic MC-930
AKG C747 V11
Audio-Technica U851RbO
boundary microphones x2
Ribbon Microphones:
Coles Electroacoustics 4038 x2 (vintage)
Avantone CR14
Cadenza Rocket Ribbon (vintage)
Dynamic Microphones:
Sennheiser MD-421 (vintage)
AKG D12 x2 (vintage)
AKG D112
Electrovoice RE-20
Sennheiser e935
Shure SM57 x6
Shure SM58 x6
Beyerdynamic TG-X50
Beyerdynamic M818 x2
Philips Type EL6121
Sony F99S
Computers:
2020 iMac Pro
2010 Mac Pro
Cubase 10, 11, 12
Pro Tools 11 (Catalina allowing) – Ultimate installed if key provided.
Logic Pro available
Izotope Ozone 9 & 10 Advanced
RX 4-10 Restoration Suite (Catalina allowing)
Melodyne 4 & 5 (not Suite)
SpectraLayers Pro 8
Outboard:
*These are a selection of the plugins we have available, and far from an exhaustive list. Please contact us for specific requirements.
Waves V11, 12, 13 (& 14 for some):
Sound Production Bundle +
Channel Strips: SSL 4000 Collection, SSL EV2, REDD, EMI TG12345
Compressors: CLA, dbx 140, PIE
EQ: SSL, V Series, Scheps 73, REQ, Puigtec
H-Comp/Delay/EQ
Other: Abbey Road Tape & Plates, Reel ADT, Aphex Aural Exciter,
NLS, Tune, J37, Kramer Tape
Native Instruments: Komplete Ultimate V13
McDSP: 6030 Ultimate Comp, AE400 Active EQ
Valhalla DSP: Shimmer, VintageVerb, Supermassive
Soundtoys: Complete V5
Softube: Tape, Dirty Tape, Saturation, Valley People Dyna-mite
House of Kush: Novatron
Eventide: UltraChannel, UltraReverb, Quadravox
Izotope: Ozone 9 & 10 Advanced, RX 8-10, Neutron 2, 3 & 4
Advanced,
Exponential Audio NIMBUS and R4, Vocal Doubler, Vocal Synth 1 &
2, Trash 2 + Expansions, Nectar 3 Plus, DDLY
Plugin Alliance: Brainworx bx_digital v3, Shadow Hills Mastering
Compressor Class A, bx_Console Focusrite SC, Maag EQ4, Phil’s
Cascade, Ampeg SVTVR Classic
IK Multimedia: Amplitube 4 & 5, Hammond B-3X, MixBox,
SampleTank 4, Sampletron 2, Syntronik, T-Racks 5
Cableguys: ShaperBox
We also have an extensive library of impulse responses to go
alongside our algorithmic reverbs. For CD/DDP creation – HOFA
CD-Burn.DDP.Master / DDP Player Maker.
